Initially, feedback from the run-through described the pitch as “mostly noise” with potential but in need of some work. However, during the actual meeting with the producers, the pitch had iterated overnight to become “interesting and current.” The producers highlighted several key points: the second act of the story was unclear and required further development, particularly in strengthening the romantic through line to help guide the viewer past the narrative’s darker elements. They suggested it should be written for television rather than film and set in the present to avoid prohibitive costs. Additionally, they recommended creating a proof-of-concept short film as the next step. And they pointed out that the pitch could have emphasised the origin and personal relevance elements that came out during the discussion.
Robert Walker 