The Silence Between

The screen sleeps in my palm,

a small, indifferent moon.

Three dots bloom, then vanish—

a tide that forgets to come in.

I scroll through the last thing you said,

as if re-reading could change the ending.

 

Outside, the day goes on performing itself:

traffic, a pigeon, a leaf giving up.

Inside, time slows to a buffering wheel,

spinning on the edge of almost.

 

There’s a grammar to this quiet—

ellipsis, unsent draft,

the faint electric ache of maybe.

 

When your reply finally lands,

it says nothing extraordinary—

just hey, sorry—

but the world exhales,

and the moon in my hand

brightens again,

like it never learned to wait.

Freedom, in Pencil

The room smells of chamomile and damp wool.

Outside, autumn is chewing through the trees again.

I tell her it’s fine, really—that the underworld

has better lighting now, soft bulbs instead of torches,

and Hades lets me redecorate.

 

Still, I keep the curtains closed.

Six months of night leaves you cautious

about what daylight can do.

 

When spring comes,

the world expects blossoms.

But the soil remembers—

it has held me too long,

and I am tired of rising

only to fall again.

 

I used to think the pomegranate

was temptation—

now I call it routine:

the sweetness, the stain,

the small surrender I swallow each year.

 

So I tell her I want to choose—

not between light and dark,

but whether to return at all.

And she nods,

writing something that looks like

freedom,

in pencil,

so it can be erased later.

Jewels of Infinity

A universe rests

on the wrist of night,

no larger than a bead

threaded by time’s thin wire.

 

It clinks softly

against its neighbours—

a cluster of fireflies

trapped in glass,

their wings folded in silence.

 

You might mistake it

for ornament,

something small enough

to slip between fingers,

yet tilt it in the light

and you’ll see whole galaxies

burning in miniature,

Nebulae tilting blue,

and a scatter of supernovas

Singing their names.

 

The thread loops on,

uncountable,

an armlet of eternities—

and you,

for a fleeting moment,

the body it encircles.

Song version:

The Soil’s Pulse

In the cathedral of damp earth

I stretch my fingers, groping,

following the dark’s slow music.

 

Stone is my scripture,

worms my witnesses.

I drink the memory of rain,

the taste of centuries in loam.

 

Above me,

a hymn of light is breaking.

Its pulse beats

through the bones of soil—

a shiver of warmth,

a wind I cannot touch.

 

I ache upwards in secrecy,

cradled by silence,

longing for the sky’s shifting face:

its unburdened blue,

its storm-bright wings,

its fever of stars.

 

Until then,

I press against dark,

hoarding the rain,

listening for sky.

Song version:

Archives of Fire

Cradled in the ancient murmur,

we are archives of fire:

helixes folded as choirs,

each base a note,

each spiral a score

composed in the silence.

Listen closely—

your skin sings hydrogen,

your marrow chants iron,

your lungs rehearse

the vocabulary of stars.

What we call solitude

is crowded with voices:

the background whisper

of a universe still cooling,

and the chorus inside us

that refuses to forget

how to sing.

Song version:

The Sulking Kettle

It squats there,

a stubborn, chrome-bellied thing—

water pooled in its gut,

silent, sulking.

 

I press the switch,

red eye glaring back,

but the element hums with disdain,

no steam, no promise of warmth.

 

So I lean close,

murmur small consolations:

you are patient,

you are bright as the morning,

you will sing again.

 

At first, nothing.

Then a tremor,

the faintest sigh—

and suddenly a rising chatter,

bubbles shouldering upward:

a chorus of forgiven grievances.

 

And now I wonder

how many small appliances sulk,

waiting for words

I’ve never thought to give.

The Beauty of Slow

Terry the tortoise would sigh,

“I’m slow as the clouds drifting by.

The rabbits all race,

The swallows all chase,

While I only plod, step and try.”

 

But slowly he spotted the dew,

On webs spun in silver and blue.

The daisies that yearned,

The rainbows that burned,

The wonders the quick never knew.

 

So Terry walked on with a grin,

Content with the world he was in.

“For beauty,” said he,

“Was waiting for me—

And slow is the best way to win.”

Some Limericks

A poet set out to contrive,

A limerick lively, alive.

He started off neat,

With a clever light beat,

Then—oh, bother, he lost it.

 ——

A poet who rhymed out of sync,

Rewrote every verse with a drink.

By stanza thirteen,

His rhymes turned obscene—

Then he toppled face-down in the ink.

 ——

A penguin once swam to a faraway land,

For sunshine and heat, his holiday planned,

But he baked in the sun,

Squawked, “This isn’t fun!”

And waddled back home, rather tanned.

Three Coins Spent

The Ministry owns every syllable.

The fountain sings freely, water speaking for us.

A brass meter ticks on my throat, a clock wound too tight.

I come to hear it, because it says what we cannot.

Most have grown spare: clipped commands, no confessions.

I have grown used to nods, to eyes speaking instead of mouths.

But I am a poet. Silence is a storm caged in my ribs.

I have watched her: ink bruising her fingers, silence like thunder waiting.

Once I spent a week’s bread on one word: Careful.

Once she gave me Careful—I held it like a jewel, a bell ringing inside me.

Now three coins jingle in my pocket: life or confession.

I feel her coming, choosing me over survival.

I press them into the slot. The gears release. Three words only.

I cannot afford reply. Silence burns in my throat.

At last I speak: Without you, nothing.

Her words strike like fire. My bottle overflows. My hand trembles.

Tomorrow they will come for me, to gag me, to strip me of voice.

Tomorrow they will take her—but tonight I smile, slow and certain.

Three coins spent. Eternity bought.

Her words, my silence—together, unowned, ours.

The Current

I chased the shadow I once cast

the way you look for keys—

checking old rooms,

turning cushions,

peering under the bed of years.

 

But the thing I sought

had already moved on,

a current curling past

the bend of my own memory.

 

The river does not keep

what it once carried;

it remakes itself

with every breath of rain,

every stone worn smooth.

 

I stand in the shallows,

the water folding around my legs,

and realise—

the self I was seeking

is here,

is flowing,

and if I am to hold it at all,

I must learn

to step into the current

and let go.