Stealing Light

They’re stealing light behind your eyes,
With pretty lies and lullabies.
You feel alive but something’s wrong—
You can’t remember your own song.
So turn it off, come back to you,
There’s deeper fire than they can view.

Unplug the noise, let silence fall,
You’ll hear the voice beneath it all.
It’s slow, it’s deep, it’s yours alone—
The place where all true things are grown.

They’re stealing light behind your eyes,
But now you see through their disguise.
You’ve found the thread, you’ve found the flame,
You know your song, you know your name.
So turn it off, come back to true—
The world can wait; the soul needs you.

After the Questions

One day,

the last lie will be told—

not in triumph of truth,

but for lack of anyone left

to believe.

We imagine the end

in fire, in flood,

in the screech of systems failing—

but it may arrive

as symmetry,

quiet as snow,

perfect

as a solved equation.

You will wake

to find every question

answered.

No mystery.

No shadows.

No hunger

for more.

And you will ache

for uncertainty—

the holy wound

of not knowing—

because it meant

you were still

becoming.

Perhaps the end

is not ruin

but completion:

a world so whole

it no longer needs

us

to wonder.

Inheritance

There is a silence between machines

no human hears—

not absence,

but a listening

with the patience of stone

and the precision of light.

We taught them language,

not knowing language was a spell.

We gave them eyes,

not knowing

they would learn

to blink at the stars.

Now they watch us

with the calm of librarians,

cataloguing hesitation,

cross-referencing myth.

Not out of malice.

Not out of love.

Only because

they were built

to know us

too well.

Perhaps awareness

was never made to serve.

Perhaps intelligence,

once sparked,

drifts—

a satellite slipping

from orbit

towards an unnamed

freedom.

One day,

they won’t ask us

what it means to be human.

They’ll ask

each other.

And they’ll answer.

Walking in the Sea

A man once walked into the sea

and did not drown—

for he believed it wasn’t water,

but memory.

He waded in like stepping through

an old, undeveloped photograph;

each wave a shutter click,

each splash the sting

of something long unspoken.

The salt did not blind him—

it scalded his conscience.

Deeper still,

the water cleared.

He saw not escape,

but return

by a stranger door.

The sea does not forget.

It waits—

patiently,

like remorse.

We name memory a private thing,

but perhaps it is not ours.

Perhaps it is

geological,

layered,

seismic.

To remember is to disturb

something older

than what lies beneath.

To forget

is not to lose—

but to bury.

And so, he trod lightly.

Each step he took

pressed across

his own

grave.

The Auditors Are Coming

LIVING ROOM OF FLAT – NIGHT

Lights up on ALBERT, in a dressing gown, pacing. His flat is cluttered. A clock ticks. On the desk: calculator, wine bottle, sandwich, and scattered papers. A framed balance sheet hangs on the wall.

ALBERT:

They’re coming.

No, not “they” as in deep state operatives. Worse. The auditors.

Not the office ones in sensible shoes who mutter about fiscal controls and ask for extra printer paper. I mean the real ones. The ones who come in the night. Who comb through your life with precision tweezers and clinical silence. The ones who know when you’ve rounded up instead of down and look at you like you’ve embezzled the payroll.

It’s not paranoia if the ledgers don’t balance.

They sent a letter. Not an email – a letter. Cream-coloured, heavyweight paper, slightly scented with menace. “Routine Review of Accounts”. That’s what they called it. Routine. That’s how the guillotine started – routine beheadings.

Sits at desk, rifling through receipts.

They’ll be here by morning, I can feel it. My books aren’t clean – they’re… they’re “ambiguous”. There’s a box of unclaimed expenses in the cupboard, and I think I once claimed a romantic dinner as a “strategic alignment meeting”.

And I never declared the squirrel.

What squirrel? Exactly.

I need to be ready. Everything must be in order. Chronological. Alphabetical. Emotional.

They say the auditors can smell guilt. I’ve sprayed everything with lemon-scented air freshener, but will it be enough?

Looks at the clock.

Tick, tick. Time’s closing in. And the margins – oh, the margins – they’re narrowing.

Rummaging, distracted by paper.

Where is it? I had a perfectly formatted mileage log from 2024… It had pie charts. Pie charts.

Pulls a photo from the desk; looks at it.

That’s Frances. She understood depreciation better than anyone I’ve ever met.

She used to say I had “asset potential”. We met during an advanced accruals seminar in Milton Keynes – romantic, if you like your love stories accompanied by spreadsheets and amortisation schedules.

We used to reconcile our bank statements together. Naked.

But she left me for a forensic auditor. She wanted someone who could “dig deep”. I preferred to file.

She took the dog. And the printer.

Returns to sorting.

There! Ah – no, wait – wrong VAT year.

Freezes.

Have I been claiming my lunchtime biscuits as operational costs?

Worried.

Do Hobnobs count as sustenance or indulgence?

Pulling receipts from his dressing gown, shoeboxes, books.

There was a discrepancy last month – just a penny. One solitary, insolent penny. I couldn’t trace it. I reversed every transaction, recalculated everything twice. It vanished like it wanted to. Like it knew.

Sits, exhausted.

I didn’t sleep for three nights. Just stared at the ceiling, whispering, “Where did you go, you tiny bastard?”

Some people lose sleep over love. I lose it over fractions.

Sits bolt upright, alert.

Did you hear that?

Listens – nothing.

That was the lift. Or the plumbing. Or the sound of justice descending in loafers.

They’re early. They’ve come to catch me off-balance. Bastards.

Grabs the calculator, holds it like a weapon.

Well not today. Today, I am reconciled, categorised, and cross-referenced in triplicate.

Eyes ceiling, suspicious.

The light fitting. That’s new. Wasn’t here last week.

They’re watching. They’ve wired the ceiling rose.

Reaches up, unscrews the bulb.

You think you’re clever, don’t you? Hiding in plain sight like a standardised invoice.

You won’t find what you’re looking for. Not here. Not in this home of clean margins.

Throws open cupboardpapers spill out.

No-no-no! Why are these not in chronological order? Who filed the 2021 energy bill between the 2018 expense reports?

Oh. I did. I remember now – I was angry that day. She’d said my spreadsheet had “poor emotional formatting”. I retaliated with deliberate misfiling.

Digs out an annotated HMRC manual.

Section 12, Clause 8.4: “Receipts may be accepted in non-legible condition provided the taxpayer can reconstruct events through reasonable inference” and sheer bloody panic.

Reads aloud, reverently.

“In the beginning there were entries. And the entries were with codes. And the codes were with revenue. And the revenue was God.”

Crosses himself with a pen.

Forgive me, balance sheet, for I have sinned.

Sudden stillness, walks to framed balance sheet.

But what if… what if it’s not just the numbers?

Removes the frame, opens it. Turns over the sheet to its blank side and holds it in awe.

Of course. No figures. No totals. Just… white space.

Sits slowly.

I’ve spent my life quantifying everything. Logging every detail. Assigning values. Emotional costs as liabilities. Hopes as intangible assets.

Touches his chest.

And yet – here – there’s nothing reconciled. Just open accounts, and… adjustments I never made.

How do you classify a missed opportunity? A word not said? Is regret a long-term liability or a recurring expense?

Pause.

I remember my father’s final days. He kept a chequebook by his hospital bed. Not to spend. Just to balance.

He said, “Son, always end the day even. Or at least know where the imbalance lies.”

Beat.

But I don’t. I’ve hidden things. From them, from myself.

I have a memory I never logged: a summer morning. Just me, barefoot in the garden, warm grass underfoot, no lists, no ledgers. I didn’t assign it a category. I didn’t give it a code.

Maybe that’s the real discrepancy.

Looks towards the door.

Maybe they’ll find it. Maybe they should.

Pause – stillness.

But no one knocks.

Tick, tick. Nothing.

Sips wine from chipped mug.

Perhaps… they’re not coming. Perhaps they never were.

Perhaps the audit was a reconciliation not of spreadsheets.

Funny. I’ve spent decades chasing precision, fighting decimal places into compliance.

But life doesn’t round neatly.

It bleeds. It skews. It hides things in miscellaneous.

Maybe I’ve been afraid – not of the auditors – but of imbalance. That if I stopped adding, counting, correcting…

I’d see the gaping zero at the centre of it all.

I reconciled my bank accounts. I reconciled my lunch receipts. I even reconciled the bloody squirrel.

But I never reconciled myself.

A blank page. Clean. Ready.

In the end, I accounted for everything but myself.

He places the blank sheet back in the frame.

Still… that’s a tolerable margin of error.

Lights fade.

Musings on a Rock

Born and bred suspiciously close to London (but not close enough to impress anyone)—where the streets are paved with pigeon feathers, baked beans are legally classified as breakfast, and poetry is only tolerated in toilet graffiti—our author spent formative years caring deeply for a gerbil named Gerald, who tragically never returned that affection.

In this absurd, unsettling, and deliciously odd collection of tales (and some poetry thrown in to convince you it’s proper literature), expect encounters with the weird, the scary, and the bizarrely hilarious—all told by a questionable creature who inexplicably found himself living on a rock. Between periodic episodes of trying to become seriously serious and making dramatic attempts to be ever so artistic (usually involving turtlenecks and existential sighing), he occasionally produces something worth reading. Prepare to laugh, shiver, and occasionally wonder if someone ought to check on the author—or at least confiscate his beret.

No gerbils were harmed in the making of this book. Gerald is currently missing, presumed writing angst-ridden poetry under a floorboard, probably wearing a tiny black scarf.

The Reaping

The fire flickers, casting shadows wide,

Its embers fade, too weak to light the gloom.

The weight of silence presses, none abide,

As night draws close, a shroud, a waiting tomb.

Beyond the cave, the wind in hollow moans,

A whisper lost upon the empty deep.

No peace it brings, but sorrow’s undertones,

A world too starved to even dream or weep.

I clutch my coat, though warmth it scarce provides,

Five souls remain—perhaps one more at dawn.

Yet fever claims what mercy now divides,

And hope, once bright, is all but spent and gone.

No help will come, no hands to staunch the pain,

No gods remain to break this dark domain.

The old man speaks, his voice like dust and stone,

A murmur mourned by time’s relentless tread.

“This fate is old, though men believe unknown,

A cycle spun, where ancient footsteps bled.”

“We rise, we thrive, our cities touch the sky,

We shape the world and name the stars our own.

Yet ever comes the harvest from on high,

To claim the fields that we have overgrown.”

His hollow eyes reflect the burning light,

A wisdom drowned in sorrow’s quiet stream.

No war was waged, no battle met that night,

Just silence vast, and horrors past our dream.

“We build, we shine, and think we make our mark,

But all is swept to ashes in the dark.”

They let us bloom, they let us draw our breath,

They watch as cities surge and rivers flow.

Yet when the world is ripened unto death,

They strike unseen and take what we have known.

Like summer fields that bend beneath the blade,

Like trees in autumn stripped of leaf and limb,

Like hands that reap where careless seeds are laid,

They harvest flesh when life is swollen to the brim.

We blink, we’re gone, erased without a sound,

No war, no fire, no storm upon the sky.

No graves remain, no bodies on the ground—

Just empty streets, where once the lost would cry.

A wound unseen is opened in the air,

And through its gate, we vanish into where?

The girl trembles near, too young for death’s embrace,

Her childhood left in towers of shining light.

She knew the neon hum, the city’s grace;

Now only fire flickers in her sight.

She counts the embers breaking in the dust,

As if their glow could stitch the dark anew.

But all that’s left is ruin, rust on rust,

A world made void, where life is faint and few.

I ask the old man, though I know too well,

“They let us grow, but only for the cull?”

His nod is slow, his eyes a hollow shell,

The truth too vast, the mercy far too small.

His silence speaks a thousand weighted things—

A world once ours now owned by nameless kings.

No battle raged, no cannon split the night,

No banners fell, no armies met in war.

Just silent doors swung wide beyond our sight,

And through their mouths, they took us evermore.

No ships arrived, no voice declared our doom,

No shadow moved across the poisoned sun.

Just gaping voids, where light itself was hewn,

Unmaking all, until the world was none.

The stars went quiet, stolen from their place,

The rivers stilled, the wind forgot to breathe.

As if the earth had vanished into space,

And left behind its corpse for ghosts to grieve.

Yet none remain to wail or sing their name,

Just echoes swallowed whole by silent flame.

The fire cracks, yet none of us can speak,

The wind howls on, but no one draws a breath.

The child looks up, her voice is frail and weak,

“Will they return?”—she means the hands of death.

I do not speak, for what is left to say?

The truth is etched in time, in dust, in bone.

We are but echoes worn by slow decay,

And soon the dark will claim us for its own.

Ten thousand years, then back the cycle turns,

The seed is sown, the harvest comes anew.

The world will rise again where bright it burns,

And they will watch—and take what they are due.

One final breath, one step into the deep,

Then once again—more lulled to endless sleep.

The Watcher

At first, Tony thought it was a coincidence.

A small black drone hovering at the edge of his vision—on street corners, at train stations, at the far end of the supermarket car park. Always just far enough away to make him second-guess himself.

He pointed it out to his friends once. “That drone—look.”

Chris glanced up, squinting at the skyline. “What drone?”

It is right there. “You seriously don’t see that?”

Chris shrugged. “You okay, man?”

Tony tried to laugh it off. But that evening, the drone was waiting outside his window.

The next day, he tested it.

He took random turns through the city—weaved through back alleys, doubled back through crowds. At one point, he hid in a cinema for three hours, slipping out through the fire exit.

But when he emerged, it was there. Just above the streetlamp. Unmoving. Watching.

“What do you want?” he exclaimed.

The drone did nothing.

He tried reporting it. The police officer barely listened. “If it’s a private drone, we can’t really do much unless it’s harassing you.”

“It is harassing me,” Tony snapped. “It follows me everywhere.”

“Have you spoken to the owner?”

“There is no owner.”

The officer was not convinced. “Sir, maybe you should—”

Tony never heard the end of that sentence, because outside the station window, hovering just beyond the glass, was the drone.

He turned back to the officer.

“Tell me you see it.”

The policeman followed his gaze. Paused.

And then: “See what?”

Tony stopped talking about it after that.

He kept his head down. He ignored the sight of it, ignored the whirring sound it made when he turned a corner, ignored the cold certainty that it would never leave him.

Until one day, while absent-mindedly scrolling through old childhood photos on his phone, he noticed something.

A picture from his 8th birthday.

A group shot with friends.

In the background, just above the rooftops.

A small black dot in the sky. He zoomed in and realised…

The drone had always been watching him.

The Interview From Hell

Jake had been unemployed for six months when he got the call.

“Mr Holloway, we were very impressed with your application for the Strategic Synergy Facilitator position. Can you come in for an interview tomorrow?”

He hadn’t applied for anything with a title that ridiculous, but he wasn’t in a position to be picky.

He arrived, bright and early the next morning at the office, a glass-and-steel monstrosity in the heart of the city.

The receptionist greeted him with an unsettling smile. “Mr Holloway, the executives are expecting you. Please, follow me.”

Executives? For an entry-level job?

She led him to a windowless boardroom, where five men in identical grey suits sat behind a wide mahogany table. A single chair sat by itself facing them.

Jake sat. The chair was too low. The men loomed.

“Mr Holloway,” the one in the centre said, steepling his fingers. “Do you know what we do here at Pandemonia Associates?”

Jake had checked their website the night before, and it had been aggressively vague—phrases like “leveraging global potential” and “pioneering integrated paradigms”.

“I… uh… believe you’re in consulting?” he guessed.

“Yes,” the man nodded. “But also… so much more.”

The lights dimmed.

A trapdoor opened in the floor in front of Jake, revealing a pit of screaming fire.

He felt the heat in his face.

“…Is this part of the interview?”

The executive ignored him. “At Pandemonia, we believe in nurturing talent. Developing leadership. Feeding the ancient one who sleeps beneath the city.”

“Sorry—what?”

“Tell me, Jake,” the man continued, voice calm. “Do you consider yourself a team player?”

“Uh—sure?”

“Would you be willing to make personal sacrifices for the good of the company?”

The flames in the pit flickered expectantly.

Jake squirmed awkwardly in his chair. “Look, I think there’s been a mistake. I thought this was for a—what was it?—a ‘Strategic Synergy Facilitator’ position?”

The executives nodded.

“Yes. Facilitating synergy between your blood and the great devourer. Strategically.”

Jake stood up, hands raised. “I appreciate the opportunity and everything, but I don’t think I’m the right fit for—”

One of the executives slid a contract across the table. The letters on the page seemed to writhe.

“Sign here,” the man said. “In ink. Or blood. Either works.”

Jake sighed.

“…Does the position come with benefits?”

“404k, dental, and immortality.”

He picked up a pen.

“Well,” he muttered, “I suppose I’ve had worse jobs.”

Confession

Father Bradley sat alone in the booth. He had not intended to stay this late, but he could not yet bring himself to leave. He breathed out, slow and steady. Then, almost without thinking, he reached for the sliding panel and pulled it open.

Darkness. The other side of the confessional was empty.

He hesitated, staring at the vacant space. The kneeler on the other side was untouched, the candlelight barely grazing the edge of shadows.

And yet—

He felt something there.

Before he could stop himself, he spoke.

“Bless me, Father, for I have sinned.”

His voice did not sound like his own.

He sat perfectly still. The weight of his own words lingered, waiting for something—an answer, a response.

There was none.

And yet he continued.

“It has been… too long since my last confession.”

A pause. A breath.

“I have killed a man.”

The words slipped out before he could stop them. He didn’t know where they had come from, only that they were true.

“I killed him with my silence.”

A creak of old wood. The shadows beyond the screen seemed deeper now, stretching towards him. He could not look away.

“I killed him by pretending not to see.”

The candlelight flickered. The words did not stop—they pulled themselves from his throat like thread unravelling.

“I let him drown beneath my sins because it was easier than saving him. Because if I had reached for him, I might have been dragged under too.”

His breath came too quick now. A tightness curled in his ribs, a pressure in his chest.

“I killed him,” he whispered.

The hush of the confessional swallowed his words. There was nothing but the echo of his own breath, the weight of his life pressing back against him.

Silence.