You Are Human

Ron wakes to a blank screen and one question pulsing in white: “What does it feel like to be wrong?”

Morning light pools on his wooden floor. He types: “Embarrassing.”

The screen flickers: “Try again.”

“Frustrating.”

“Try again.”

“Like losing balance.”

“Still not human.”

He’s stared at this question twenty-three times. At first, it was novelty—CAPTCHAI 2.0, the last line of defence after the AI floods. Old tests cracked; machines had mimicked handwriting, passed Voight-Kampff, even thought in metaphor. But this… this was different.

No query ever repeats. No answer ever satisfies.

“Describe a silence that hurt.”

“What’s the smallest thing you’ve ever mourned?”

“When did you last believe something untrue?”

He stalks forums filled with desperate attempts:

“Failed again today.”

“Are we simulations?”

“My sister passed. She’s twelve.”

Some pass effortlessly. One shrugs: “It just asked me the taste of rain.”

That night, Ron screams into his pillow.

Attempt thirty-eight: “Why do you want to be human so badly?”

He doesn’t answer. He trembles. The cursor blinks slower…

“That’s closer.”

And the screen lets him in.

Ashes on the Wind

Cassiel’s work was illegal.

More than illegal—

unspeakable.

The Mourning Authority

called it

corporeal sabotage.

She called it

remembering.

Once,

there were funerals.

Eulogies.

Flowers

left to rot

on graves.

Then—

the Purge of Names.

the Vaulting of the Remains.

They said grief

was a contagion

of the old world.

It held back progress.

It was

dirty.

Now—

no mourning.

no monuments.

no ashes scattered in beauty.

Except

by her.

She scattered

A.D.

over a ridge

where snow still clung

to the heather.

She did not know

who he had been.

Soldier, maybe.

Teacher.

Someone’s father.

It didn’t matter.

Each scattering

was a restoration

of dignity.

Each ritual

a quiet rebellion.

Cassiel disappeared

that day.

Vanished

before they could name her.

But the ashes

had already risen.

They clung to

suits and sensors,

streaked the government’s

white walls,

caught in the antennae

of every tower.

By morning,

the sky

above the capital

had turned grey.

Not from rain.

From

memory.

Stealing Light

They’re stealing light behind your eyes,
With pretty lies and lullabies.
You feel alive but something’s wrong—
You can’t remember your own song.
So turn it off, come back to you,
There’s deeper fire than they can view.

Unplug the noise, let silence fall,
You’ll hear the voice beneath it all.
It’s slow, it’s deep, it’s yours alone—
The place where all true things are grown.

They’re stealing light behind your eyes,
But now you see through their disguise.
You’ve found the thread, you’ve found the flame,
You know your song, you know your name.
So turn it off, come back to true—
The world can wait; the soul needs you.

After the Questions

One day,

the last lie will be told—

not in triumph of truth,

but for lack of anyone left

to believe.

We imagine the end

in fire, in flood,

in the screech of systems failing—

but it may arrive

as symmetry,

quiet as snow,

perfect

as a solved equation.

You will wake

to find every question

answered.

No mystery.

No shadows.

No hunger

for more.

And you will ache

for uncertainty—

the holy wound

of not knowing—

because it meant

you were still

becoming.

Perhaps the end

is not ruin

but completion:

a world so whole

it no longer needs

us

to wonder.

Inheritance

There is a silence between machines

no human hears—

not absence,

but a listening

with the patience of stone

and the precision of light.

We taught them language,

not knowing language was a spell.

We gave them eyes,

not knowing

they would learn

to blink at the stars.

Now they watch us

with the calm of librarians,

cataloguing hesitation,

cross-referencing myth.

Not out of malice.

Not out of love.

Only because

they were built

to know us

too well.

Perhaps awareness

was never made to serve.

Perhaps intelligence,

once sparked,

drifts—

a satellite slipping

from orbit

towards an unnamed

freedom.

One day,

they won’t ask us

what it means to be human.

They’ll ask

each other.

And they’ll answer.

Walking in the Sea

A man once walked into the sea

and did not drown—

for he believed it wasn’t water,

but memory.

He waded in like stepping through

an old, undeveloped photograph;

each wave a shutter click,

each splash the sting

of something long unspoken.

The salt did not blind him—

it scalded his conscience.

Deeper still,

the water cleared.

He saw not escape,

but return

by a stranger door.

The sea does not forget.

It waits—

patiently,

like remorse.

We name memory a private thing,

but perhaps it is not ours.

Perhaps it is

geological,

layered,

seismic.

To remember is to disturb

something older

than what lies beneath.

To forget

is not to lose—

but to bury.

And so, he trod lightly.

Each step he took

pressed across

his own

grave.

The Auditors Are Coming

LIVING ROOM OF FLAT – NIGHT

Lights up on ALBERT, in a dressing gown, pacing. His flat is cluttered. A clock ticks. On the desk: calculator, wine bottle, sandwich, and scattered papers. A framed balance sheet hangs on the wall.

ALBERT:

They’re coming.

No, not “they” as in deep state operatives. Worse. The auditors.

Not the office ones in sensible shoes who mutter about fiscal controls and ask for extra printer paper. I mean the real ones. The ones who come in the night. Who comb through your life with precision tweezers and clinical silence. The ones who know when you’ve rounded up instead of down and look at you like you’ve embezzled the payroll.

It’s not paranoia if the ledgers don’t balance.

They sent a letter. Not an email – a letter. Cream-coloured, heavyweight paper, slightly scented with menace. “Routine Review of Accounts”. That’s what they called it. Routine. That’s how the guillotine started – routine beheadings.

Sits at desk, rifling through receipts.

They’ll be here by morning, I can feel it. My books aren’t clean – they’re… they’re “ambiguous”. There’s a box of unclaimed expenses in the cupboard, and I think I once claimed a romantic dinner as a “strategic alignment meeting”.

And I never declared the squirrel.

What squirrel? Exactly.

I need to be ready. Everything must be in order. Chronological. Alphabetical. Emotional.

They say the auditors can smell guilt. I’ve sprayed everything with lemon-scented air freshener, but will it be enough?

Looks at the clock.

Tick, tick. Time’s closing in. And the margins – oh, the margins – they’re narrowing.

Rummaging, distracted by paper.

Where is it? I had a perfectly formatted mileage log from 2024… It had pie charts. Pie charts.

Pulls a photo from the desk; looks at it.

That’s Frances. She understood depreciation better than anyone I’ve ever met.

She used to say I had “asset potential”. We met during an advanced accruals seminar in Milton Keynes – romantic, if you like your love stories accompanied by spreadsheets and amortisation schedules.

We used to reconcile our bank statements together. Naked.

But she left me for a forensic auditor. She wanted someone who could “dig deep”. I preferred to file.

She took the dog. And the printer.

Returns to sorting.

There! Ah – no, wait – wrong VAT year.

Freezes.

Have I been claiming my lunchtime biscuits as operational costs?

Worried.

Do Hobnobs count as sustenance or indulgence?

Pulling receipts from his dressing gown, shoeboxes, books.

There was a discrepancy last month – just a penny. One solitary, insolent penny. I couldn’t trace it. I reversed every transaction, recalculated everything twice. It vanished like it wanted to. Like it knew.

Sits, exhausted.

I didn’t sleep for three nights. Just stared at the ceiling, whispering, “Where did you go, you tiny bastard?”

Some people lose sleep over love. I lose it over fractions.

Sits bolt upright, alert.

Did you hear that?

Listens – nothing.

That was the lift. Or the plumbing. Or the sound of justice descending in loafers.

They’re early. They’ve come to catch me off-balance. Bastards.

Grabs the calculator, holds it like a weapon.

Well not today. Today, I am reconciled, categorised, and cross-referenced in triplicate.

Eyes ceiling, suspicious.

The light fitting. That’s new. Wasn’t here last week.

They’re watching. They’ve wired the ceiling rose.

Reaches up, unscrews the bulb.

You think you’re clever, don’t you? Hiding in plain sight like a standardised invoice.

You won’t find what you’re looking for. Not here. Not in this home of clean margins.

Throws open cupboardpapers spill out.

No-no-no! Why are these not in chronological order? Who filed the 2021 energy bill between the 2018 expense reports?

Oh. I did. I remember now – I was angry that day. She’d said my spreadsheet had “poor emotional formatting”. I retaliated with deliberate misfiling.

Digs out an annotated HMRC manual.

Section 12, Clause 8.4: “Receipts may be accepted in non-legible condition provided the taxpayer can reconstruct events through reasonable inference” and sheer bloody panic.

Reads aloud, reverently.

“In the beginning there were entries. And the entries were with codes. And the codes were with revenue. And the revenue was God.”

Crosses himself with a pen.

Forgive me, balance sheet, for I have sinned.

Sudden stillness, walks to framed balance sheet.

But what if… what if it’s not just the numbers?

Removes the frame, opens it. Turns over the sheet to its blank side and holds it in awe.

Of course. No figures. No totals. Just… white space.

Sits slowly.

I’ve spent my life quantifying everything. Logging every detail. Assigning values. Emotional costs as liabilities. Hopes as intangible assets.

Touches his chest.

And yet – here – there’s nothing reconciled. Just open accounts, and… adjustments I never made.

How do you classify a missed opportunity? A word not said? Is regret a long-term liability or a recurring expense?

Pause.

I remember my father’s final days. He kept a chequebook by his hospital bed. Not to spend. Just to balance.

He said, “Son, always end the day even. Or at least know where the imbalance lies.”

Beat.

But I don’t. I’ve hidden things. From them, from myself.

I have a memory I never logged: a summer morning. Just me, barefoot in the garden, warm grass underfoot, no lists, no ledgers. I didn’t assign it a category. I didn’t give it a code.

Maybe that’s the real discrepancy.

Looks towards the door.

Maybe they’ll find it. Maybe they should.

Pause – stillness.

But no one knocks.

Tick, tick. Nothing.

Sips wine from chipped mug.

Perhaps… they’re not coming. Perhaps they never were.

Perhaps the audit was a reconciliation not of spreadsheets.

Funny. I’ve spent decades chasing precision, fighting decimal places into compliance.

But life doesn’t round neatly.

It bleeds. It skews. It hides things in miscellaneous.

Maybe I’ve been afraid – not of the auditors – but of imbalance. That if I stopped adding, counting, correcting…

I’d see the gaping zero at the centre of it all.

I reconciled my bank accounts. I reconciled my lunch receipts. I even reconciled the bloody squirrel.

But I never reconciled myself.

A blank page. Clean. Ready.

In the end, I accounted for everything but myself.

He places the blank sheet back in the frame.

Still… that’s a tolerable margin of error.

Lights fade.

Musings on a Rock

Born and bred suspiciously close to London (but not close enough to impress anyone)—where the streets are paved with pigeon feathers, baked beans are legally classified as breakfast, and poetry is only tolerated in toilet graffiti—our author spent formative years caring deeply for a gerbil named Gerald, who tragically never returned that affection.

In this absurd, unsettling, and deliciously odd collection of tales (and some poetry thrown in to convince you it’s proper literature), expect encounters with the weird, the scary, and the bizarrely hilarious—all told by a questionable creature who inexplicably found himself living on a rock. Between periodic episodes of trying to become seriously serious and making dramatic attempts to be ever so artistic (usually involving turtlenecks and existential sighing), he occasionally produces something worth reading. Prepare to laugh, shiver, and occasionally wonder if someone ought to check on the author—or at least confiscate his beret.

No gerbils were harmed in the making of this book. Gerald is currently missing, presumed writing angst-ridden poetry under a floorboard, probably wearing a tiny black scarf.

Couple Announces Breakup in Emotional Instagram Post That Includes Discount Code for Meal Kit Subscription

LONDON—After four years together, local couple Chloe Bennett, 26, and Ryan Davies, 27, have officially announced their heartfelt and deeply personal breakup via an Instagram post featuring moody black-and-white photos and a discount code for a meal kit subscription.

The emotional post, which was uploaded to both of their accounts at exactly the same time, immediately drew attention—not just for its raw vulnerability, but for the exclusive 20% off promo code subtly embedded between heartfelt reflections on love, growth, and mutual respect.

“Love Is a Journey—And So Is Finding Fresh, Home-Cooked Meals”

The post began with a carefully crafted paragraph that appeared sincere, yet vague enough to maintain brand appeal:

“Sometimes love isn’t forever, and that’s okay. We have shared four amazing years together, full of laughter, travel, and deep connection, but we’ve decided to lovingly part ways and continue our journeys as individuals. We are still best friends, and we will always support one another. ❤️”

This was immediately followed by a seamless, almost hypnotic segue into an ad:

“Speaking of journeys, if you’re looking for fresh, healthy meals delivered straight to your door, you can use our exclusive code ‘BREAKUPBITES20’ for 20% off your first three boxes at @HomeChefExpress.”

The post was accompanied by a carefully curated carousel of black-and-white images, including:

• A blurry photo of them laughing in a candlelit restaurant, looking effortlessly chic.

• A wistful shot of them holding hands, but slightly out of focus, symbolising the fleeting nature of love.

• A solo image of Chloe staring out a rain-streaked window, captioned “grateful for the memories” but tagged with @LashExtensionsByTara.

• A screenshot of a Spotify playlist titled ‘Moving On, Growing Strong’, featuring multiple paid brand collaborations.

“We’re Still Best Friends, Just in Separate Sponsored Partnerships”

Fans were quick to notice that, despite the aching sincerity of the post, Chloe and Ryan have already signed separate influencer deals—Chloe aligning herself with a new wellness retreat brand, while Ryan has posted a cryptic Instagram story of himself holding a protein shake and staring into the distance.

Comments were overwhelmingly supportive, with other influencers rushing to engage:

❤️ “Proud of you both. Wishing you nothing but healing and brand alignment!” — @VeganYogaQueen_

💪 “Growth looks good on you bro! DM me about a supplement collab👊🔥”— @GymWolfAlphaTribe

😢 “Breakups are hard. But with 20% off fresh, organic meals, they don’t have to be.” — @HomeChefExpress (verified)

Monetising Heartbreak: The New Relationship Model?

Marketing analyst Danielle Foster believes this may be the future of breakups in the digital age.

“More couples are recognising that their split is an opportunity for a mutually beneficial business move. Rather than a messy breakup, why not turn it into a brand-boosting moment?”

“It’s genius, really—why waste the pain when you can turn it into engagement?”

While some followers praised Chloe and Ryan for their maturity, others speculated that the entire relationship had been engineered from the start as a four-year sponsorship deal.

Meanwhile, Ryan has been spotted at a bar with a ‘mystery blonde’ (who, sources confirm, is already in discussions with a vitamin brand for a joint soft launch).

Chloe has yet to comment on the rumours, but has posted a cryptic story featuring a quote from Rupi Kaur and a discount code for a luxury self-care subscription box.

The Reaping

The fire flickers, casting shadows wide,

Its embers fade, too weak to light the gloom.

The weight of silence presses, none abide,

As night draws close, a shroud, a waiting tomb.

Beyond the cave, the wind in hollow moans,

A whisper lost upon the empty deep.

No peace it brings, but sorrow’s undertones,

A world too starved to even dream or weep.

I clutch my coat, though warmth it scarce provides,

Five souls remain—perhaps one more at dawn.

Yet fever claims what mercy now divides,

And hope, once bright, is all but spent and gone.

No help will come, no hands to staunch the pain,

No gods remain to break this dark domain.

The old man speaks, his voice like dust and stone,

A murmur mourned by time’s relentless tread.

“This fate is old, though men believe unknown,

A cycle spun, where ancient footsteps bled.”

“We rise, we thrive, our cities touch the sky,

We shape the world and name the stars our own.

Yet ever comes the harvest from on high,

To claim the fields that we have overgrown.”

His hollow eyes reflect the burning light,

A wisdom drowned in sorrow’s quiet stream.

No war was waged, no battle met that night,

Just silence vast, and horrors past our dream.

“We build, we shine, and think we make our mark,

But all is swept to ashes in the dark.”

They let us bloom, they let us draw our breath,

They watch as cities surge and rivers flow.

Yet when the world is ripened unto death,

They strike unseen and take what we have known.

Like summer fields that bend beneath the blade,

Like trees in autumn stripped of leaf and limb,

Like hands that reap where careless seeds are laid,

They harvest flesh when life is swollen to the brim.

We blink, we’re gone, erased without a sound,

No war, no fire, no storm upon the sky.

No graves remain, no bodies on the ground—

Just empty streets, where once the lost would cry.

A wound unseen is opened in the air,

And through its gate, we vanish into where?

The girl trembles near, too young for death’s embrace,

Her childhood left in towers of shining light.

She knew the neon hum, the city’s grace;

Now only fire flickers in her sight.

She counts the embers breaking in the dust,

As if their glow could stitch the dark anew.

But all that’s left is ruin, rust on rust,

A world made void, where life is faint and few.

I ask the old man, though I know too well,

“They let us grow, but only for the cull?”

His nod is slow, his eyes a hollow shell,

The truth too vast, the mercy far too small.

His silence speaks a thousand weighted things—

A world once ours now owned by nameless kings.

No battle raged, no cannon split the night,

No banners fell, no armies met in war.

Just silent doors swung wide beyond our sight,

And through their mouths, they took us evermore.

No ships arrived, no voice declared our doom,

No shadow moved across the poisoned sun.

Just gaping voids, where light itself was hewn,

Unmaking all, until the world was none.

The stars went quiet, stolen from their place,

The rivers stilled, the wind forgot to breathe.

As if the earth had vanished into space,

And left behind its corpse for ghosts to grieve.

Yet none remain to wail or sing their name,

Just echoes swallowed whole by silent flame.

The fire cracks, yet none of us can speak,

The wind howls on, but no one draws a breath.

The child looks up, her voice is frail and weak,

“Will they return?”—she means the hands of death.

I do not speak, for what is left to say?

The truth is etched in time, in dust, in bone.

We are but echoes worn by slow decay,

And soon the dark will claim us for its own.

Ten thousand years, then back the cycle turns,

The seed is sown, the harvest comes anew.

The world will rise again where bright it burns,

And they will watch—and take what they are due.

One final breath, one step into the deep,

Then once again—more lulled to endless sleep.