Written Off

The letter arrived on a Thursday.

Plain white envelope, no return address. Inside, a single line on crisp paper:

We regret to inform you that you have been declared deceased.

Daniel read it twice, then laughed that brittle, half-afraid laugh you make when the world throws up nonsense. He checked his pulse. Felt the thrum in his throat, the warmth in his hands. Alive. Definitely alive.

He set it aside.

But that night, his bank card stopped working. The next day, his office pass denied him entry. Emails bounced. His name vanished from company records.

At the council office, the assistant squinted at her screen. “Strange,” she murmured, frowning. “It says here… deceased.”

That night, his key didn’t fit his front door.

Through the window, he saw his wife on the sofa, laughing with a man he didn’t know. When he knocked, she didn’t turn. When he shouted, no one stirred.

His reflection in the window wavered, then disappeared into mist.

Godzilla’s Yoga Class

Godzilla has been feeling… tense.

Yes, the tail-smashing, skyline-crushing, thermonuclear tantrums look dramatic, but they’re really just the result of tight hip flexors and unresolved emotional trauma. Tokyo understands. At this point, they just evacuate when the sirens go off and leave a little aromatherapy gift basket on the bay.

But the rampages aren’t doing it for him anymore. He’s tired. He’s molting irregularly. His scales look dull. The last time he screamed into the ocean, a passing whale told him to be quiet.

So he signs up for a yoga class.

It’s awkward at first. The room is too small. The mats are too flammable. The teacher, Cassandra, is incredibly brave and/or emotionally detached. She greets him with a soft “namaste,” which he accidentally mimics at 132 decibels, blowing out the windows.

He tries downward dog. It triggers a small earthquake in Hokkaido.

By week three, he’s noticeably calmer. No screaming for three days. No tail swipes. He only destroyed half a commuter bridge last Tuesday, and that was to rescue a cat.

Cassandra says his third chakra is “absolutely wild,” and he takes that as a compliment.

At the end of class, everyone lies in corpse pose. For once, Godzilla doesn’t dread the silence.

There’s a pigeon perched on his nose.

He doesn’t eat it.

Progress.

Artificial Irritation

In 2025, the world hit Peak AI—not just in technology, but in marketing. Suddenly, everything needed “AI” slapped on it, regardless of relevance, function, or reality.

Boardrooms became feverish warzones:

“Janet, where’s the Al in our shampoo?”

“Er… it foams… intelligently?”

“Good enough. Rebrand it: LathrAI.”

An app promising “AI for finding the best AI” launched—only to be exposed as three interns frantically googling product reviews.

Even the local bakery joined in, claiming “AI-optimised sourdough fermentation”. When asked, the owner admitted, “It’s just my nan’s old recipe.”

Meanwhile, genuine Al researchers watched in horror. Dr. Anita Sharma, a machine learning expert, posted wearily: “No, your scented candle isn’t ‘AI-infused’. Please stop.”

But no one cared. Shareholders demanded “AI” in the name, or they’d dump stock. Startups got funded only if they mentioned neural networks, such as for products like AIToothpick (“adapts to gum contours”) or SmartAI-Shirt (“predictive comfort fabric”).

And yet, amid this AI-fuelled circus, one small local coffee shop stood defiant. Its sign read:

“We Make Coffee. No AI. Just Dave.”

They sold out every day.

Unmended

Each night the house smooths its skin.

Cracked plaster seals, paint blushes fresh,

floorboards remember how not to groan.

 

In the kitchen, tiles reattach themselves,

grout knitting seamless as if no pan

was ever thrown, no water ever spilled.

 

The window we shattered at dinner

glimmers whole by dawn,

its glass cold as a withheld word.

 

Upstairs, the mirror forgets

the arguments it has reflected.

But your eyes do not.

 

My joints ache in a language

the house does not speak.

Your hands tremble, unplastered, unpainted.

 

By morning, the house is immaculate,

a museum of absence.

We move through it

like old ghosts,

unmended.

Song version:

A Candle for the Unnamed

To the house with the yellow door
we never lived in,
the city I passed by,
the stranger I almost loved.

To the painting left in my head,
streaked with colours no hand
ever mixed,
the call I never made,
the song I hummed once,
then forgot.

To the child I never named.

There is a cemetery
not marked on any map,
where all the unlived lives lie:
the apology unsaid,
the poem unwritten,
the “yes” I swallowed,
the “no” I let rot on my tongue.

I light a candle tonight
for the almosts,
for the flicker before the flame,
for the ghosts
with no names to answer to.

Somewhere, they bloom—
delicate as breath,
wide as regret.

The Lit Fuse

Across the street, she’s talking to a friend on her phone, sunlight threading gold through her hair.

It’s her. Always her.

In Rome, she was Lucia—plague took her. In Warsaw, Anka—a soldier’s bullet. In Kyoto, Mai—his jealous rival’s knife. This life, she’s Davina. And he remembers.

The memory came back two days ago after he fell down the stairs: a rush, a drowning, all the lives folding into one sharp point. Names, faces, the taste of their last kiss, the weight of their last breath. And the terrible certainty: his love is the fuse.

He watches her laugh, the corner of her mouth lifting just so. His body aches to go to her. But the pattern’s clear now, unmistakable. Loving her means losing her.

She glances across—catches his gaze. Something flickers across her face. Recognition? No. Just polite curiosity. Not yet.

He tells himself to look away.

He does.

He convinces himself to take a breath, to turn, to walk.

But then—

She’s in the road, fumbling with her bag, phone slipping from her hand. A car barrels down the lane, too fast, too close.

He’s running before he knows.

The air smashes from her lungs as he yanks her back, arms tight around her waist, the car blaring past in a blur of metal and hot wind. She falls into him, breathless, eyes wide, face inches from his.

“Thank you,” she gasps, dazed. “I… I didn’t see…”

He lets go. He should step back. Should vanish into the crowd, slip free before the knot tightens.

But it’s too late. She’s looking at him now, really looking, brow furrowed—like she’s searching some half-remembered name, some shape in a dream.

And just like that, the fuse is lit.

Twelve Minutes

He stood before the machine, hands in his coat pockets, eyes fixed on the brass slot. Above it, instructions glowed in soft blue light:

INSERT GRIEF ITEM. PROCESSING TIME: 12 MINUTES. YOU WILL FEEL LESS.

His fingers closed around the ring in his pocket. A slim gold band, worn thin on one side. He had kept it for three years now, turning it over like a prayer stone, sometimes pressing it to his lips when no one was looking.

Twelve minutes.

Around him, the hall was quiet but not empty. A woman sat on a bench, blank-eyed, a crumpled sock in her lap. A teenager leaned against the far wall, a cracked phone case in hand. Neither looked at him.

He pulled the ring out and rolled it between thumb and forefinger. In the machine’s polished surface, his reflection wavered—a man, growing older with grief like a weight stitched under his skin.

Twelve minutes.

His hand hovered. If he let it take the ring, would it take the smell of her hair, the memory of her laugh as they painted the bedroom, the way she whispered his name when half-asleep? Or only the ache—the sharp, sudden stabs, the hollow mornings, the dreams that dissolved into salt on waking?

The woman at the bench rose. She walked past—her eyes watery, glazed with traces of red. She dropped the sock into the machine, paused briefly, then walked away.

His fingers closed. Slowly, deliberately, he put the ring back in his pocket.

The machine waited.

He turned and left.

The Man and His Moon

There was a young man in a hat,

Who fell quite in love with the Moon;

He courted her nightly with howls in the night,

And serenades played on a horn.

 

He sang, “Oh my lunar delight!

Oh roundest, resplendent balloon!

Come down from the sky, and we’ll merrily tie

A knot by the end of the June!”

 

So he built a vast ladder of cheese,

(With the help of a wayward baboon),

And up he did climb through the highest of clouds,

To wed his bewildering Moon.

 

But alas! when he reached for her hand,

His fingers met nothing but glow—

For the Moon, though she gleams, is made wholly of beams,

And cannot be met far below.

 

Now he floats in a coat through the sky,

With a pocket of onions and rye;

And the people below shake their heads as they go,

At the man who made love to the sky.

Return to Us

We borrowed the stars—
calcium for our teeth,
iron for our blood,
carbon laced in each breath we press against the dark.

We walk, brittle and shining,
wearing the debris of old collisions,
the soft ash of suns
that burned themselves out long “before”
the word meant anything at all.

In the marrow, in the nailbed,
in the white gleam of an eye catching light—
the stars pulse their call:
Return to us.

We are brief trustees of brilliance,
temporary vessels of a flame
we did not strike,
cannot keep.

One day,
when the chest quiets,
we will give back each atom,
scatter them to dark soil, to sky,
to dust adrift through things unnamed.

And somewhere,
in the cold ache of a young galaxy,
the raw gold of our bones
will vibrate into shape again.

Dominion Point

No planes fly over Dominion Point anymore. Not after the last one vanished from radar at 60,000 feet and reappeared empty, three weeks later in a rice field in Mozambique—fuselage intact, every seat belt neatly fastened, every passenger gone.

The DP had once been a logistics hub. When Sable Dynamics towed their first modules into international waters—a floating research array powered by autonomous reactors and patrolled by drones—they called it supply chain decentralisation.

Now it is a vertical reef of steel and ceramic, rising fifteen-hundred storeys above the waterline, though no official map shows it, and satellite feeds “glitch” whenever focused on that quadrant of the ocean.

No one is sure what happens inside. But everyone knows who sits at the centre: Victor Sable.

The AI brain wasn’t his idea. He didn’t even understand how it worked. It had been built in secret by the company’s elite Zurich tech lab—a neural nexus meant to analyse markets, predict unrest, flag leverage points in global infrastructure.

One day, it started making suggestions. Two weeks later, it started making decisions.

Victor didn’t stop it. He listened. It told him which ports to buy. Which pipelines to rupture. When to crash the euro. When to secure Argentina’s clean water. When to trigger drought in Yemen using patent-locked climate tech.

And it was always right. Not sentient. Not alive. Just ruthlessly accurate—a blind god of pure correlation.

Dominion Point grew in secret, stitched together from repurposed tankers, 3D-printed shells, and scavenged orbital tech. By the time the world noticed, it was already too late.

Every attempt to intervene—cyberwarfare, drones, a secret airstrike—was effortlessly defeated. Instantly dismantled by AI-designed picobots, mass-produced in cavernous factories beneath the seabed to swarm unseen around Dominion Point at the level of an atom.

Victor’s feed broadcasts endlessly from a minimalist throne room, lit by a synthetic dawn. He is always there, gaze vacant, as the AI presents him with decisions.

His voice is never raised. When the World Bank collapsed, no facial muscle responded. When Brazil split into corporate zones, he hardly moved. When eight million were displaced by water wars after “unforeseen disruptions” to dam networks in Central Asia, he smiled faintly. Then his head turned slowly to the camera and said:

“This is not coercion. It’s freedom at scale.”

Now, borders are meaningless. And CEOs kneel where diplomats once stood—while the AI continues its computations.